Anastasia Walker on selfies, seasons, and swimming in the ocean 🤳🍃🌊

I was eager to talk with the gracious and witty Anastasia Walker, trans writer and photographer, to learn more about her transition and the inspiration behind her new book, The Girl Who Wasn’t and Is.

SK: Let’s start with the essay that concludes your book because reading it brought everything together for me. You express a longstanding distrust of cameras, yet you thrive in the medium of photography. How does your reappropriation of the medium help shift viewers’ perspectives?

AW: The selfie that essay starts with is a good place to begin. I took it when I was still finding myself and getting comfortable being out. Selfies, as part of the genre of portrait photography, and paintings before that, are informed by cis-normative conventions. A “good” selfie shows you looking and acting in ways that are typical for cis members of your gender. For women, it means meeting standards of beauty set by the movie and fashion industries. Becoming aware of these expectations, I was confronted with questions. Should I try to summon the smile that my friend in the essay chastised me about? Did performing all those expectations feel authentic? In that moment, it didn’t. And I liked that selfie because I was appropriating the genre to express my truth.

Photo of the poetry book The Girl Who Wasn't and Is by Anastasia Walker
The Girl Who Wasn’t and Is by Anastasia Walker
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Anastasia Walker’s poetry is a meditation on community, history, nature 🌿

Photo of the poetry book The Girl Who Wasn't and Is by Anastasia Walker

We’re excited to tell you about the newest title in our ongoing series of poetry books. The Girl Who Wasn’t and Is is the debut collection by trans poet Anastasia Walker. Anastasia is a phenomenal poet with almost obsessive attention to detail that informs every word, syllable, and punctuation mark to the point that her poems are bolted together with architectural precision. Her photographs of the natural world and other surroundings, by contrast, are loose and free, the perfect pairing.

Often deeply personal, Anastasia’s poems explore not only her identity as a transgender woman but also her relationships with her family, the experiences of friends and allies, as well as her community’s ongoing quest for justice and dignity.

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Dudgrick Bevins on teaching, trauma, and telling stories 🧑‍🏫😨🖋️

In the sweaty New York City July heat, I sat down with my friend and colleague, Dudgrick Bevins. We talked about his new poetry volume, Vigil, exploring a new generation’s relationship with school shootings and the unheard voices breathing desperately into a chorus of narrative poetry. Bevins is not only a prolific interdisciplinary artist and poet but a fellow educator. Here he reflects on what it means to navigate the role of teacher when talking to students about gun violence while still processing the chaotic internal emotions that each individual experiences in the aftermath of traumatic school shootings.

Vigil book
Vigil by Dudgrick Bevins
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Poetry as protest and expression of pride 🌈

During the 2016 US Presidential Elections, I began to write more and more poems in reaction to current events. Before long I realized I had enough poems to make up a chapbook-length collection, and that’s what I thought it would be. But as time went on, I continued to write. I ended up with a collection of 40 poems, which I call exam(i)nation.

People often say politics aren’t personal. But that’s actually not true. What goes on in the political sphere affects me very directly as a queer person, just as it does for women, people of color, immigrants, and all the other groups of people under attack by conservative politics. It can’t be anything but personal when our lives are at stake.

exam(i)nation is both a protest and expression of pride. I hope you will be curious to learn about my experiences.

A story-in-poems about growing up gay in rural Appalachia

We couldn’t be more excited about the publication of the debut full-length poetry collection by Dudgrick Bevins. Route 4, Box 358 is a powerful first collection by any standard. Though you got a taste of Dudgrick’s Georgia roots in the Georgia Dusk chapbook, Route 4 delves much deeper into the poet’s past. Here’s a preview of the original photography also included in the book! Be sure to pick up your copy.