bd-studios.combd-studios.combd-studios.combd-studios.com

Cart

  • Projects
    • a harras
    • Angkor Wat
    • AURA
    • The Animal Book
    • the immeasurable fold
    • Jordan’s Journey
    • Just One More
    • muse
    • seaside magic
    • Springtime in Byzantium
  • Portfolio
    • Design
    • Drawing
    • Exhibition
    • Music
    • Performance
    • Photography
    • Video
      • All videos
    • Writing
  • Blog
    • Studio News
    • Behind-the-Scenes
    • Conversations
    • Roundups
    • Showcases
    • Notes from luke kurtis
  • Shop
    • Artists’ Books
    • Poetry Books
    • little books
    • Zines
    • Music
    • Postcards and Prints
    • Wears and Wares
    • etc.
  • About
    • Artists
    • Press Room
    • Bibliography
    • Submissions
  • Contact
    • Mailing List
  • Projects
    • a harras
    • Angkor Wat
    • AURA
    • The Animal Book
    • the immeasurable fold
    • Jordan’s Journey
    • Just One More
    • muse
    • seaside magic
    • Springtime in Byzantium
  • Portfolio
    • Design
    • Drawing
    • Exhibition
    • Music
    • Performance
    • Photography
    • Video
      • All videos
    • Writing
  • Blog
    • Studio News
    • Behind-the-Scenes
    • Conversations
    • Roundups
    • Showcases
    • Notes from luke kurtis
  • Shop
    • Artists’ Books
    • Poetry Books
    • little books
    • Zines
    • Music
    • Postcards and Prints
    • Wears and Wares
    • etc.
  • About
    • Artists
    • Press Room
    • Bibliography
    • Submissions
  • Contact
    • Mailing List

The Language of Genealogy

  • 14 Oct 2012/
  • Posted By : Jordan M. Scoggins/
  • 4 comments /
  • Archived in: People and Places

Learning about family history teaches you a lot about history in general. The obvious areas are things like the Civil War and even World War II. When you connect your family to the collective stories of history, suddenly those grand narratives seem a bit more personal.

Photo by luke kurtis

As a New Yorker, I can’t help but wonder how the next generation will look back and remember 9/11. As it is, I already know people who were not alive in 2001. But I lived through it. I watched those towers fall with my own eyes. I photographed them as they burned and fell (this is one of my photos here). I lived in the no-entry zone and had to show a photo ID just to get into my neighborhood. I walked over to the West Side Highway and stood with other New Yorkers cheering on firefighters who sped up and down the highway for weeks on end after those towers fell. How does my personal experience translate to the pages of history we see presented in books and documentaries? It doesn’t. The pages of history record the grand narratives and the dramatic events. But the quiet recollections of those of us who lived through it are just as important.

Often when people look at events around us–the events we know will one day be studied in history books everywhere–we talk about how much history has changed. In the case of 9/11, we use terms like “terrorism” to try and define what happened. Language, though, is limiting. The very moment we put words to tongue we somehow fail ourselves. Yet also those words are something we can’t do without. It’s important to be aware of the limitations we create through language, how our own words confine us, and how–hopefully–we can transcend them.

When we hear about violent events–say, for example, another shooting has made the news–many of us react with a “What’s happening to the world?” kind of attitude. The truth is that nothing is happening… at least nothing that unusual. We have a tendency to romanticize the past as if it represents some sort of ideal. This type of nostalgia for the past is something we all do, and it’s another way in which language fails us. Matt Novak, writing about the public’s perception of the history of the space program, warns that “romanticization of the past has real-world consequences because it breeds a certain kind of futility, a belief that we’re simply not able to accomplish things without every American behind the idea.”

For most of us, history is learned in language that glorifies the good parts, polishes them over for more than they’re worth, and skims over the bad parts. But those “bad” parts hold a lot of value and can, potentially, teach us just as much if not more than the “good” parts. History is not good. History is not bad. History just… is (or maybe “was”).

Read More

Childhood Melon Memories: Happy National Watermelon Day

  • 03 Aug 2012/
  • Posted By : Jordan M. Scoggins/
  • 4 comments /
  • Archived in: People and Places
watermelon
Photo by luke kurtis

Fresh fruits and vegetables were a part of everyday life growing up on the farm. The best meals were always those prepared straight from the garden. While my parents were not farmers by trade–they were school teachers–they always had a garden of some sort. My grandparents, however, farmed on a larger scale. One of the crops I remember most clearly and associate very closely with my grandfather Earl Jordan is watermelon. Earl would load up the back of his truck (which I proudly drove in my teenage years after he had died), sit by the road, tailgate down, and sell the delicious fruit to passersby. Of course, there was plenty to go around for the family, too. We would all gather around the table at Grannie’s house, ready for a messy feast of some good ol’ watermelon. Careful not to swallow any seeds!

Watermelon wasn’t only a summer tradition for me growing up but for my parents, too. Dad recalls eating a lot of watermelon at his Grandpa Holcomb’s house. “He grew them, and I think he may have also bought some,” Dad reminisced about the old days. “Grandmother would keep some in the refrigerator and slice it off and eat it cold, but we also ate them fresh from the field.”

Read More

Caney Fork [video]

  • 28 Jul 2012/
  • Posted By : Jordan M. Scoggins/
  • 6 comments /
  • Archived in: The Videos

Today I’m happy to share a new Jordan’s Journey video with you. This video is pretty different from the others I’ve shown here so far. The short film tells the story of my trip to Arkansas in September 2011, searching out the story of my 3rd great-grandfather Francis Marion Holcomb (about 1832-1864).

This video would not have been possible without the help of Joyce Wood (who is featured in the video). Joyce helped me learn much more about Caney Fork than I ever could have on my own. Unfortunately, it’s an area that has been largely forgotten even to long time residents of Pike County. Joyce knows so much about the area because she and her family are virtually the only people to have lived there in modern times. Joyce’s family were pioneers just like in the old days, living in a cabin without electricity (it is not available in the area) or any of the creature comforts most of us take for granted every day.

Read More


Featured products
  • Hang Five Hang Five $20.00
  • Train to Providence Train to Providence $20.00
  • Vigil Vigil $20.00
  • Cover of "Now That You've Gone and Come Back" by Jonathan David Smyth, showing a nude portrait of the artist closely cropped with his hands crossed across his chest. Now That You’ve Gone and Come Back $30.00
  • The Girl Who Wasn't and Is The Girl Who Wasn't and Is $20.00

bd-studios.com is the art and publishing studio by luke kurtis. We publish artists’ and poetry books, organize exhibitions and performances, and more. We perform creative experiments and transform them into bold works of art. Learn more about what we do. Support our work at the Shop.

From the blog
  • A close-up, black-and-white image of a person holding their head in their hands, eyes closed, with a distressed or contemplative expression.
    a map of fragments June 13,2025
  • A woman browses a rack of clothes outside a yellow boutique with mannequins and a display table near the entrance.
    Somewhere between Hungary and Japan (or, the update I meant to write last year) May 19,2025
  • A poetry album 23 years in the making August 18,2023
From l.k.'s photostream
self-portrait
More Photos
Copyright © bd-studios.com. All Rights Reserved. | Privacy policy