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  • Projects
    • a harras / crossmyheart
    • Angkor Wat
    • AURA
    • The Animal Book
    • the immeasurable fold
    • Jordan’s Journey
    • Just One More
    • muse
    • New Lit Salon Press
    • seaside magic
    • Springtime in Byzantium
  • Portfolio
    • Design
    • Drawing
    • Exhibition
    • Music
    • Performance
    • Photography
    • Video
      • All videos
    • Writing
  • Shop
    • Artists’ Books
    • Poetry Books
    • little books
    • Zines
    • Music
    • Postcards and Prints
    • Wears and Wares
    • etc.
  • Blog
    • Studio
    • Writing
    • Encounters
  • About
    • Artists
    • Press Room
    • Bibliography
    • Submissions
    • Contact
    • Mailing List

Daniel M. Shapiro

Daniel M. Shapiro is the author of several poetry books and chapbooks, including How the Potato Chip Was Invented, Heavy Metal Fairy Tales, and The Orange Menace. He is a special education teacher who lives in Pittsburgh.

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  • (This Is Not A) Mixtape for the End of the World

    (This Is Not A) Mixtape for the End of the World

    $20.00
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Daniel M. Shapiro

Daniel M. Shapiro is the author of several poetry books and chapbooks, including How the Potato Chip Was Invented, Heavy Metal Fairy Tales, and The Orange Menace. He is a special education teacher who lives in Pittsburgh.

Product categories
  • Artists' Books
  • etc.
  • little books
  • Music
  • New Lit Salon Press
  • Poetry Books
  • Postcards and Prints
  • Wears and Wares
  • Zines

bd-studios.com is the art and publishing studio by luke kurtis. We publish artists’ and poetry books, organize exhibitions and performances, and more. We approach publishing as a creative practice—each project is an experiment in medium, format, and concept, transformed into bold and unconventional works of art. Learn more about what we do. Support our work at the Shop.

Have a read
  • A composite of three vertical video stills against a black background. Each panel captures a high-contrast, ghostly profile of a figure in motion blur. The face is abstracted into streaks of blown-out white and warm light, creating a sense of rapid, loop-based repetition and fragmentation.
    Recomposing time: short-form video as conceptual EP September 16,2026
  • High-contrast, front-facing portrait of a man in a black beanie and sunglasses against a pitch-black background. His face is heavily blown out with white light, overlaid with a distorted, double-exposed projection of warm orange horizontal scan lines across his eyes and forehead.
    What happens when a machine reads experimental art? August 22,2026
  • Black-and-white basement interior with a white door beside a poster of the original ‘a harras’ album cover, whose subtle color contrasts with the otherwise monochrome image.
    The rumors are true (or, how one thing becomes another) June 12,2026
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