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Georgia Backroads: “A Man of Most Simple and Attractive Manners”

  • 16 Sep 2017/
  • Posted By : Jordan M. Scoggins/
  • 0 comments /
  • Archived in: Georgia Backroads
Georgia Backroads, Autumn 2017
Georgia Backroads, Autumn 2017

I’m delighted to announce my latest essay, “A Man of Most Simple and Attractive Manners.” It’s out now in the Autumn 2017 issue of Georgia Backroads. This piece, my fifth for the magazine, has been a long time in the making. I started the research while writing the Jordan’s Journey book. It was a challenging article about a person in my family history with no family memory. John Dawson Pope is a unique figure in my family. You might find his role in the history of Georgia, and even the history of California, quite interesting! I do hope you will check it out.

Since this article required so much research and I scoured the country for information to help me put it together, even traveling to Los Angeles, I’ll share my list of sources with you here since the works cited are not printed in the magazine. So, this serves as an extra supplement. Also, hopefully, it means people doing other research related to these sources might stumble across my post here and lead them to my article.

In other news, I am happy to inform you that Jordan’s Journey will finally become available in a paperback edition. I don’t have an exact date yet, but hopefully very soon.

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Georgia Backroads: “Polishing the Gilt Easel”

  • 05 Feb 2016/
  • Posted By : Jordan M. Scoggins/
  • 2 comments /
  • Archived in: Georgia Backroads
Georgia Backroads, Winter 2015

If you’re a Georgia Backroads reader, you already know that I have another new article in the magazine’s current issue. This is my fourth piece with the magazine in as many years. You can learn about my previous Georgia Backroads articles here:

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Georgia Backroads: “The Language of History”

  • 07 Jun 2014/
  • Posted By : Jordan M. Scoggins/
  • 0 comments /
  • Archived in: Georgia Backroads
Georgia Backroads, Summer 2014

I have a new article in the current issue (Summer 2014) of Georgia Backroads. Titled “The Language of History,” it is an expanded and slightly reworked version of the post “The Language of Genealogy” that previously appeared here on Jordan’s Journey. I really like the new version of this article, and I think you will too. You can order a copy online, or if you’re in an area that stocks Georgia Backroads, you can check your local newsstands.

This is my third article for Georgia Backroads. My other articles with the magazine are “The Scoggins Family and Subligna Go Way Back” (Winter 2012) and “We Are One People” (Autumn 2013). I have also published “We Are One People” as a limited edition artist multiple under my art name luke kurtis. The We Are One People multiple was part of the INTERSECTION exhibition at Massillon Museum and is available to purchase in the bd Shop.


The Language of Genealogy

  • 14 Oct 2012/
  • Posted By : Jordan M. Scoggins/
  • 4 comments /
  • Archived in: People and Places

Learning about family history teaches you a lot about history in general. The obvious areas are things like the Civil War and even World War II. When you connect your family to the collective stories of history, suddenly those grand narratives seem a bit more personal.

Photo by luke kurtis

As a New Yorker, I can’t help but wonder how the next generation will look back and remember 9/11. As it is, I already know people who were not alive in 2001. But I lived through it. I watched those towers fall with my own eyes. I photographed them as they burned and fell (this is one of my photos here). I lived in the no-entry zone and had to show a photo ID just to get into my neighborhood. I walked over to the West Side Highway and stood with other New Yorkers cheering on firefighters who sped up and down the highway for weeks on end after those towers fell. How does my personal experience translate to the pages of history we see presented in books and documentaries? It doesn’t. The pages of history record the grand narratives and the dramatic events. But the quiet recollections of those of us who lived through it are just as important.

Often when people look at events around us–the events we know will one day be studied in history books everywhere–we talk about how much history has changed. In the case of 9/11, we use terms like “terrorism” to try and define what happened. Language, though, is limiting. The very moment we put words to tongue we somehow fail ourselves. Yet also those words are something we can’t do without. It’s important to be aware of the limitations we create through language, how our own words confine us, and how–hopefully–we can transcend them.

When we hear about violent events–say, for example, another shooting has made the news–many of us react with a “What’s happening to the world?” kind of attitude. The truth is that nothing is happening… at least nothing that unusual. We have a tendency to romanticize the past as if it represents some sort of ideal. This type of nostalgia for the past is something we all do, and it’s another way in which language fails us. Matt Novak, writing about the public’s perception of the history of the space program, warns that “romanticization of the past has real-world consequences because it breeds a certain kind of futility, a belief that we’re simply not able to accomplish things without every American behind the idea.”

For most of us, history is learned in language that glorifies the good parts, polishes them over for more than they’re worth, and skims over the bad parts. But those “bad” parts hold a lot of value and can, potentially, teach us just as much if not more than the “good” parts. History is not good. History is not bad. History just… is (or maybe “was”).

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The Rambo Family Tree by Beverly Nelson Rambo

  • 01 Apr 2012/
  • Posted By : Jordan M. Scoggins/
  • 14 comments /
  • Archived in: People and Places
Looking at The Rambo Family Tree, Arkansas’ Damned Yankees, Cavaliers and Pioneers, and more at the Milstein Division, New York City.

Genealogists spend hours of research digging through old books and wrinkled papers. There are so many sources out there, from library books and courthouse records to the box of papers stuffed away in your aunt’s attic. Your range of research material can be as varied as the family tree is sprawling. Because of that, it helps to learn about resources fellow researchers have consulted, to hear their insights, and to learn why any particular source may (or may not) be useful to you. This post is the beginning of a series of sources I have consulted at some point during my research.

The Rambo family is unique in my tree in that, as far as I know, I am related to anyone with the surname Rambo. The Rambo family is rooted in Sweden where, at the time, there were no surnames. You were identified simply as the son or daughter of your father, i.e., Peter Gunnarson literally translates to Peter, son of Gunnar. When my ancestor Peter came to the New World, he adopted the name Rambo, and therefore, all descendants with that name can be traced back to Peter. You can read a general overview of the early Rambo generations in Jordan’s Journey… but if you want to explore them even deeper, be sure to take a look at The Rambo Family Tree by Beverly Nelson Rambo. Beverly’s tome is an extremely well-documented work on many far-reaching branches of Rambo descendants.

I first looked at Beverly’s book in the Milstein Division of the New York Public Library. It’s an intimidating text made all the more confusing to read because the Rambos used so many of the same names over… and over… and over. This is no fault of the text itself, of course, and ultimately the work is rewarding and an absolutely essential reference for anyone interested in the Rambo family. Just be prepared to tackle your share of headaches as you sort out the inter-generational who’s who.

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Uncovering the Past through Art: Sacred Harp and Forgotten Family Memories

  • 24 Mar 2012/
  • Posted By : Jordan M. Scoggins/
  • 5 comments /
  • Archived in: The Art of Genealogy
This Sacred Harp hymnal belonged to Clarence Ralph Jackson (1867-1929), grandfather of Letha Delores Jackson Grigsby.

Way back before Jordan’s Journey came out, I was doing all kinds of work, not only writing, photographing, and designing the book but also figuring out how this website was going to work, what I wanted to do for the book trailer, and of course the research itself. Almost everything I do as an artist has some purpose or meaning behind it. This sense of aesthetic plays an important role in what sets Jordan’s Journey apart from any other genealogy book I’ve ever seen.

The book trailer has its roots back in early 2011. It started with the poem that became the script for the trailer. And after that I just let it sit for a while. Creative ideas need time to incubate. By the time I visited the homeland in September 2011, things were ready to hatch. I filmed the principal photography for the trailer early one morning on the family farm. Editing didn’t happen for at least a few weeks but by the time I did start the work, I pretty much had it all laid out in my head… down to the music I wanted to use!

The music is from the album White Spirituals From The Sacred Harp and contains field recordings of the Alabama Sacred Harp Convention made by Alan Lomax in 1959. Sacred Harp is one of my favorite types of music.

I first encountered Sacred Harp in its proper form while studying music in New York City. When Professor Andrew Tomasello first dropped the needle and introduced us to the genre, it must have sounded completely foreign to my NYC-bred classmates. But it sounded instantly familiar for me and evoked images of my childhood. Though I did not grow up with Sacred Harp music proper, the music of the East Armuchee Baptist Church of my childhood was certainly influenced by this uniquely American style. We even used a shape note hymnal. I’ve always kept a copy of that Christian Praise hymnal and showed it to my music professor one day. He was intrigued by this artifact of Southern musical culture. Connecting that emotional part of my past to my new academic interests was the icing on the cake… as if fate had led me to New York in the first place. This is only one example of how creating Jordan’s Journey would not have been possible without moving away and studying art in the big city!

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The Art of Genealogy

  • 10 Mar 2012/
  • Posted By : Jordan M. Scoggins/
  • 0 comments /
  • Archived in: The Art of Genealogy
self-portrait, East Armuchee, Georgia, November 2010

The response to Jordan’s Journey has been extremely positive (just check out some of the recent press and see for yourself). I’ve even been contacted by a handful of people who have found me because of the press, this blog, or my social media updates. The connections are fascinating! For this synergy, I am grateful.

Today, I want to explain some of the background behind this project.

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Research and Process

  • 14 Jan 2012/
  • Posted By : Jordan M. Scoggins/
  • 4 comments /
  • Archived in: The Journey
Doing genealogical research in the probate office in Searcy, Arkansas, Sep 2011

Some of you may be interested in my research methods while writing Jordan’s Journey. I used no one approach to write the book, combining many different ways of accessing information. If you are interested in specific topics or have specific questions, please let me know so I can address those issues in future posts.

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