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Blackout! (or, A Time To Reflect)

  • 05 Nov 2012/
  • Posted By : Jordan M. Scoggins/
  • 0 comments /
  • Archived in: The Journey

Regular readers of this blog will know that while I write about my Georgia homeland, I live in New York City. So, that means the past week has been a rough one. My apartment was without power from Sunday, October 28th, around 8:30 pm to about 4:30 am on Saturday, November 3rd. That’s a long time to spend “off the grid” with no power, heat, or water. I am fortunate, though, that my home is safe. Many people cannot say that in the wake of Hurricane Sandy. And my office has suffered a hard blow, too. I work at the very tip of Manhattan in a building that looks over the harbor. I look out at the Statue of Liberty every day. The storm damaged the building, which means that I have been swamped as an IT infrastructure engineer. In the business world, the work never pauses–not even for a hurricane. You can’t miss a beat. The past week has been trying, and there is more to do. The weeks ahead will bring many more long days.

During the blackout, I spent a lot of time contemplating my ancestors. Most of them lived without electricity their entire lives. I thought about how their homes and habits were more tailored to those circumstances. Daily schedules were dictated by daylight hours, and homes were made to stay warm without electricity, to name a few points. So many other details of their lives must have differed from ours. When we lose power, it is more than an inconvenience; it has a way of stopping us in our tracks. To temper that reaction, I tried to remember how my ancestors lived–and thrived–in a world without electricity. Contemplating that made it a little easier to get through the darkness.

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The Language of Genealogy

  • 14 Oct 2012/
  • Posted By : Jordan M. Scoggins/
  • 4 comments /
  • Archived in: People and Places

Learning about family history teaches you a lot about history in general. The obvious areas are things like the Civil War and even World War II. When you connect your family to the collective stories of history, suddenly those grand narratives seem a bit more personal.

Photo by luke kurtis

As a New Yorker, I can’t help but wonder how the next generation will look back and remember 9/11. As it is, I already know people who were not alive in 2001. But I lived through it. I watched those towers fall with my own eyes. I photographed them as they burned and fell (this is one of my photos here). I lived in the no-entry zone and had to show a photo ID just to get into my neighborhood. I walked over to the West Side Highway and stood with other New Yorkers cheering on firefighters who sped up and down the highway for weeks on end after those towers fell. How does my personal experience translate to the pages of history we see presented in books and documentaries? It doesn’t. The pages of history record the grand narratives and the dramatic events. But the quiet recollections of those of us who lived through it are just as important.

Often when people look at events around us–the events we know will one day be studied in history books everywhere–we talk about how much history has changed. In the case of 9/11, we use terms like “terrorism” to try and define what happened. Language, though, is limiting. The very moment we put words to tongue we somehow fail ourselves. Yet also those words are something we can’t do without. It’s important to be aware of the limitations we create through language, how our own words confine us, and how–hopefully–we can transcend them.

When we hear about violent events–say, for example, another shooting has made the news–many of us react with a “What’s happening to the world?” kind of attitude. The truth is that nothing is happening… at least nothing that unusual. We have a tendency to romanticize the past as if it represents some sort of ideal. This type of nostalgia for the past is something we all do, and it’s another way in which language fails us. Matt Novak, writing about the public’s perception of the history of the space program, warns that “romanticization of the past has real-world consequences because it breeds a certain kind of futility, a belief that we’re simply not able to accomplish things without every American behind the idea.”

For most of us, history is learned in language that glorifies the good parts, polishes them over for more than they’re worth, and skims over the bad parts. But those “bad” parts hold a lot of value and can, potentially, teach us just as much if not more than the “good” parts. History is not good. History is not bad. History just… is (or maybe “was”).

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Connections: Ogletree, Phillips, and Hackney Families

  • 29 Sep 2012/
  • Posted By : Jordan M. Scoggins/
  • 2 comments /
  • Archived in: Connections

Most of my posts here on Jordan’s Journey have centered around the Armuchee Valley area of Walker and Chattooga Counties. This is because three out of four of my grandparents are deeply rooted there (it’s also where I grew up). My other grandfather–Earl Jordan–is rooted in Whitfield County and has a slightly different history. I have not touched as much on these lines because I don’t know as much about them–and the interesting connections don’t come up as often since those lines are more segregated from the other three major branches of my tree.

But there are still some exciting connections to explore. So, I’m going to look at one of those today.

If I follow the Jordan line back a few generations, James William Jordan married Mary Jane Evans (my 2nd great grandparents). Mary Jane’s mother was Charity Hackney, my 3rd great-grandmother and daughter of Joseph P. Hackney and Mary “Polly” Phillips (my 4th great-grandparents). Mary “Polly” was the daughter of William Phillips and Piety (maiden surname unknown).

Now, we’ve moved beyond Whitfield County into Wilkes County. This is where William Phillips died in about 1795. He was only 24 at the time. His and Piety’s daughter Mary “Polly” would have been just a baby at the time of his death. Piety and John Ogletree–apparently a family friend and possibly neighbor–were named as the administrators of the William Phillips estate. Sometime after her husband’s death, Piety even married John Ogletree, making John step-father to Mary “Polly”. Given that Polly was just a baby then, she would have had no memory of her biological father (Davidson; Kiser).

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Travelin’ Light: Striking A Balance Between Two Worlds (Dirt Town Valley and Beyond)

  • 07 Apr 2012/
  • Posted By : Jordan M. Scoggins/
  • 0 comments /
  • Archived in: The Journey

Progress, far from consisting in change, depends on retentiveness. When change is absolute there remains no being to improve and no direction is set for possible improvement: and when experience is not retained, as among savages, infancy is perpetual. Those who cannot remember the past are condemned to repeat it.

–George Santayana, The Life of Reason, Volume 1, 1905
US (Spanish-born) philosopher (1863 – 1952)

Today I’m going to try something a little different here on Jordan’s Journey. Rather than write about people and places, interesting connections, or even tell you about my research and resources (like last week)… I’m going to explore a bit of the memoir side of this project. Certainly the Jordan’s Journey book has elements of memoir weaved in throughout the text. In the book, though, those very personal elements always serve the overall genealogical story. Here on the blog, there’s room to branch out a bit.

I’ve talked a little before about the difference between my homeland and the city I now call home. This urban versus rural dichotomy is constantly evident to me. I lived in rural Georgia for the first 18 years of my life. My life and experience there is an inseparable part of my identity (even though for many years I wanted nothing more than to escape any association with it–but that’s a whole other story unto itself). I’ve been in New York for 14 years now. I call it my home just as much as that idyllic valley where I was raised.

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Uncovering the Past through Art: Sacred Harp and Forgotten Family Memories

  • 24 Mar 2012/
  • Posted By : Jordan M. Scoggins/
  • 5 comments /
  • Archived in: The Art of Genealogy
This Sacred Harp hymnal belonged to Clarence Ralph Jackson (1867-1929), grandfather of Letha Delores Jackson Grigsby.

Way back before Jordan’s Journey came out, I was doing all kinds of work, not only writing, photographing, and designing the book but also figuring out how this website was going to work, what I wanted to do for the book trailer, and of course the research itself. Almost everything I do as an artist has some purpose or meaning behind it. This sense of aesthetic plays an important role in what sets Jordan’s Journey apart from any other genealogy book I’ve ever seen.

The book trailer has its roots back in early 2011. It started with the poem that became the script for the trailer. And after that I just let it sit for a while. Creative ideas need time to incubate. By the time I visited the homeland in September 2011, things were ready to hatch. I filmed the principal photography for the trailer early one morning on the family farm. Editing didn’t happen for at least a few weeks but by the time I did start the work, I pretty much had it all laid out in my head… down to the music I wanted to use!

The music is from the album White Spirituals From The Sacred Harp and contains field recordings of the Alabama Sacred Harp Convention made by Alan Lomax in 1959. Sacred Harp is one of my favorite types of music.

I first encountered Sacred Harp in its proper form while studying music in New York City. When Professor Andrew Tomasello first dropped the needle and introduced us to the genre, it must have sounded completely foreign to my NYC-bred classmates. But it sounded instantly familiar for me and evoked images of my childhood. Though I did not grow up with Sacred Harp music proper, the music of the East Armuchee Baptist Church of my childhood was certainly influenced by this uniquely American style. We even used a shape note hymnal. I’ve always kept a copy of that Christian Praise hymnal and showed it to my music professor one day. He was intrigued by this artifact of Southern musical culture. Connecting that emotional part of my past to my new academic interests was the icing on the cake… as if fate had led me to New York in the first place. This is only one example of how creating Jordan’s Journey would not have been possible without moving away and studying art in the big city!

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Armuchee (ᎠᎽᏥ)

  • 22 Jan 2012/
  • Posted By : Jordan M. Scoggins/
  • 10 comments /
  • Archived in: The Journey
ᎠᎽᏥ is Armuchee in Cherokee

When I tell people I grew up in East Armuchee, they almost inevitably say, “Ar-what?” If you spell it out for them, they say, “Ar-MU-chee?” It’s hard to make people understand the way we say it: Ar-MUR-chee. Yes, it’s weird, I know that. But it’s the way we say it. It’s like how in New York we say “How-stun” Street instead of “Hew-stun” like the city in Texas. If you say “Hew-stun Street” in NYC, we’ll look at you as if you have three heads, just like if you say “Ar-MU-chee” back home.

Armuchee (ᎠᎽᏥ) is a Cherokee (ᏣᎳᎩ) word. Cherokee is an endangered language, but tech companies are doing their part to help preserve this valuable part of our world heritage. You can use Cherokee on your iPhone  or search Google with the language (Murph; Google). Despite this, no one knows precisely what “Armuchee” means. There are various interpretations, including “land of beautiful flowers” and “much water” or “much fish” (Armuchee). In the words of Larry Salmon, “perhaps the real meaning was lost on the Trail of Tears” (Salmon).

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Where are you from?

  • 31 Dec 2011/
  • Posted By : Jordan M. Scoggins/
  • 8 comments /
  • Archived in: The Journey
The East Armuchee farm where I grew up, 1996
Bales of hay in the bottom field of Earl Jordan’s farm, East Armuchee Valley, Walker County, Georgia, 1996

Growing up in the rural south, people never ask, “Where are you from?” (unless you have an unfamiliar accent that automatically marks you as an outsider). It’s assumed that you are American and, more precisely, Southern. There’s no ethnic or national identity beyond that.

But living all my adult life in New York City–a virtual stew of world culture–people always ask you, “Where are you from?”

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